In 2020 I started a work series that reproduced digital visual glitches in oil (on canvas) and pencil (on paper).  It’s an aesthetics that originates in the misinterpretation of digital data — when files are saved corruptly, or their image data gets interpreted incorrectly. This series explores what happens when you apply this visuality to portraiture: after caring for years about compositions featuring many individuals, I wanted to turn my focus onto one individual at a time.

Works of this series were exhibited at the solo show “Salon #1” at Untitled Projects (2021), at WIKAM Frühjahrsmesse (2022) and at gallery twenty-six (2022), at Galerie Heimo Bachlechner (2022) — and they have been essential to my Trauma – solo exhibition at Museum Angerlehner (2021).