Abundance, 2013

In 2012/213, after producing visually monolithic works, I started focusing on somewhat fuller compositions. These paintings contained an abundance of visual/compositional elements which didn’t create strong hierarchies, but were intended to co-exist and created various strands of meaning that would ultimately non-compete for attention.

These works were another part of my research into narrativity in painting, the original topic of my PhD thesis (which ultimately focused on “Painting and Digital Technologies”).

Works of this series were exhibited at Form/Space (Seattle), at Galerie Frey (Salzburg), Galerie Voss (Düsseldorf) and at Museum Angerlehner.

Et in Arcadia (Katamari Apologized) , 2013 | oil on canvas
200 × 200 cm
Post-Democracy (Hibernated Zen) , 2013 | oil on canvas
200 × 200 cm
Kingdom, 2013 | oil on canvas
250 × 200 cm
Symphony, 2013 | oil on canvas
250 × 200 cm
Cornered (Wasted Weight of Soul) , 2013 | oil on canvas
250 × 200 cm
Institutional Turing , 2013 | oil on canvas
250 × 200 cm
Exhibition view "Trauma" at Museum Angerlehner (2021); photo (c) Simon Veres
Closure, 2013 | oil on canvas
250 × 200 cm
Nostalgia, 2013 | oil on canvas
250 × 200 cm
Retrospective Speculations , 2013 | oil on canvas
250 × 200 cm
Idyll, 2013 | oil on canvas
250 × 200 cm
Meta, 2013 | oil on canvas
250 × 200 cm
Kanagawa, 2013 | oil on canvas
250 × 200 cm
Rainbow, 2013 | oil on canvas
250 × 200 cm
Three Little Birds, 2013 | oil on canvas
250 × 200 cm