Kunst und Klischee, the podcast that Kevo and I started in 2020, struck a deal with Missing Link Media. This means that we are now part of the finest podcasting network that this country has to offer. Wow!
We started this podcast in the first lockdown, with the idea to discuss the actual lives and challenges of creatives, similar to my On Doubt YouTube channel — but with an exclusive focus on LOCAL creatives, German language, and the urge to constantly mixi emerging with established professionals.
We expanded this to include live podcasting a year later, something that wouldn’t have been possible without Philipp of Audiamo+ constantly having our backs. And now here we are, mingling our way into your hearts <3
Marcus Schober (director of Wiener Bildungsakademie) visited and interviewed me — we talked about all sorts of topics: how to capture moments, how to depict the everyday realities of trauma survivors; how to build bridges between communities, and how to trust your gut — enjoy this conversation.
Thanks to Elisabeth Kaiser and her team for organizing and realizing this! <3
“Das privat geführte Museum Angerlehner gehört zu den wichtigen Orten für zeitgenössische Kunst in Österreich. Die Sammlungsschau zum zehnjährigen Bestehen des Museums ermöglicht einen vertiefenden wie überraschenden Einblick in die vielfältigen Bestände österreichischer wie auch internationaler Kunst. Rund 200 Werke von 125 Künstler:innen sind in der großen Ausstellungshalle sowie den Galerie- und Grafikräumen zu sehen.”
“Der Kunstleidenschaft des Privatsammlers Heinz Josef Angerlehner, seinem Gespür, seinen persönlichen Vorlieben und Interessen wird in der Schau bewusst Rechnung getragen. Die von Kurator Günther Oberhollenzer gestaltete Ausstellung streicht die Besonderheiten der Sammlung Angerlehner heraus und ermöglicht interessante wie ungewöhnliche Dialoge zwischen den Kunstwerken – oft auch über eingeübte kunsthistorische Einordnungen hinweg. Individuelle Sichtweisen und persönliche Vorlieben werden selbstbewusst vorgestellt. Thematische Klammern widmen sich relevanten Aspekten der Malerei wie Menschenbild und Naturlandschaft, Farbrausch und Abstraktion. Zu sehen sind aber auch fotografische Wirklichkeiten, zeichnerische Bildwelten und skulpturale Positionen. Die Werkauswahl vermittelt in ihrer assoziativen Zusammenstellung viel vom einmaligen Charakter der Sammlung und lässt die Besucher:innen in wunderbare künstlerische Welten eintauchen.“
Here’s a video where Günther Oberhollenzer and Yours Truly talk a bit about the show 🙂
About the Workshop
The goal ist to integrate drawing as strategy to document processes of reflection, introspection and opinion-making. What does it mean to draw? How do you draw an experience, a feeling, a memory? An opinion, hope or otherness?
How do you then draw specific plants, landscapes or people? How would you draw the change of things, or the passing of time? How do you draw when you can’t draw? How to you draw together?
The workshop supports experimentation, with a clear focus on the process — and results being optional.
“Klasse für Alle is a new program of continuing education, created by the University of applied Arts Vienna to opening up their institutes and departments towards all those who are interested in discussing, reflecting upon, and redesigning of our society. The urgency of current existential dangers requires collective action and dialogue. We invite people of all ages, cultures and backgrounds, from all professional fields, with or without previous education, and with a diverse range of skills and interests, to work with us on building a present and future worth living. […]“
Monday, October 3rd, 7pm
My work gets exhibited within a solo exhibition at the Alfred Adler Center International in Vienna, which is part of the “Österreichischer Verein für Individualpsychologie”. The show happens within the framework of this year’s “Lange Nacht der Museen” — a night where a whole lot of museums stay open for the public, to be visited with a single ticket.
This exhibition continues my focus on trauma recovery, on “the time after” traumatic events happened. I am very thankful to have been asked to collaborate and to be able to exhibit there: the institute’s focus on trauma recovery includes their project “Die Boje“, a crisis intervention center for children and teenagers.
On the opening evening (October 1st, 8pm) there’ll be a conversation between Alexa Weber, Ilonka Schwarzenfeld (two psychotherapists and psychoanalysts) and me.
“Muted Rainbow” is my upcoming solo exhibition at gallery twenty-six/Vienna. It shows paintings and drawings that blend everyday moments with dream states, dissociations, and various emotive and sub-emotive conditions.
About the exhibition
The title blends two topics: In nature, rainbows refer to “phenomena caused by refractions of the sun’s light by rain or water droplets“; in everyday life, the word is used for a wide range of related, typically colorful things. Rainbows stand for hopes and promises, diversity and peace. Muted colors on the other hand are those with low saturation; they are created by adding black, white, or complementary colors to whichever base pigment is used. Muted colors are dull, desatured, a tad bit grey.
In the context of the exhibition, the term refers to the undiscovered, as well as the un- or underdeveloped: without contact to the world, it’s difficult to experience oneself as joyful or alive; one rather remains hidden, insecure and needy. These situations frequently lead to strategies of control, in order to establish safety when interacting with the world. Yet control also deadens the lively and joyful, instead of simply strengthening them; the urge for balance between these opposing desires (for control as well as liveliness) thus marks the life of many people. An alternative to control would be trust, which in turn requires courage.
How would a life be like that operates in courage and liveliness, that’s self- and world-confident? A life beyond the Muted Rainbow?
Please consider the following dates:
- Exhibition opening: Thursday, September 22nd, 2022, 7-10pm, with opening words by Esther Mlenek
- Concert: Soirée de chansons: Remy Mytteis plays in the exhibition
Saturday, September 24th, 7:30pm
- Artist Tour: I walk you through the exhibition 🙂
Thursday, October 6th, 7-10pm
- Finissage: we’ll have a fancy closing event
Thursday, October 20th, 7-10pm
At gallery twenty-six, Schwertgasse 4, 1010 Wien/Vienna
I’ll be moderating a round table for Vienna Contemporary, with guests Agnes Husslein-Arco (Heidi Horten Collection) and Heike Meier-Rieper (EVN Collection), about the Ethics of Collecting Art; schedule for September 9th, 4:30-6pm at Biergart’l im Stadtpark.
From the press release: “Two panel discussions aim to question the value – axiology – and responsibility in terms of diverse modes of collecting. This value is understood in an economical, ethical, and moral sense. Diverse experts from the most prominent institutions in the public, corporate and private sectors have been invited.
With representatives of various public institutions and private collections. More information at www.viennacontemporary.at. Moderated by Christian Bazant-Hegemark.“
You can watch the recorded livestream on Instagram.
My work is part of Galerie Heimo Bachlechner‘s “Sommerausstellung”, which opens on August 1st, 2022, and runs until September 10th, 2022.
Reach out if you want to meet there!
- Where: Liebenauer Hauptstraße 322, 8041 Graz
- When: Wednesday-Friday 1pm-7pm; Saturday: 10am-6pm
I’m part of a roundtable on speculations about the future, moderated by journalist and cultural worker Tina Perisutti. The guests are Elisabeth von Samsonow, Nora Jacobs and Stefan Tiefengraber — and yours truly <3
The event happens on Friday, July 22nd at 7pm, at Grünspan – Platform für Kunst und Kultur im Drautal. Drop by!
PS: You can watch the video through this link — the video owner disabled playback on external websites, so there’s no way to embed it here: https://youtu.be/b82D7-X2PJQ
- Opening hours: 7 – 10 July 2022, 11am – 8pm
- Preview (VIPs and Press only): 6 July 2022, 2pm – 8pm
- Vernissage (only for guests with vernissage ticket): 7 July 2022, 11am – 8pm
- Address: Messe Karlsruhe, Messeallee 1, D-76287 Rheinstetten (Germany)
My work is part of a group show on artificial intelligence, at Vijion Art Gallery in Bolzano/South Tyrol.
From the press release:
Die Gruppenausstellung zum Thema „2° creation-artificial intelligence“, möchte die Künstliche Intelligenz-Automatisierung im Diskurs bringen, die unsere Welt verändert wie einst der elektrische Storm.
Künstliche Intelligenz ist die nächste Stufe der Automatisierung. Sie erleichtert die Buchhaltung, rechnet im Auftrag des Menschen oder verarbeiten Texte und übernimmt Fähigkeiten und Kompetenzen, die den Menschen übertreffen. Doch mit Künstlicher Intelligenz treffen jetzt Maschinen komplexe Entscheidungen, die bisher nur Menschen treffen konnten. Wenn Datengrundlagen und Entscheidungsrahmen stimmen, entscheidet KI-Systeme besser, schneller und billiger.
The show happens between July 9th to August 6th 2022, and includes the works of Mirijam Heiler, Valeria Stuflesser, Lena Geiser, Josefa Schundau/Kira Krüger, Marlies Baumgartner, AliPaloma, Simon Perathoner, Harald Plattner, Manuel van der Veen, Maximilian Willeit/Manuel Resch, Peter Senoner, Hannes Egger, Tino-Roberto Bors and yours truly.
I was asked to hold a lecture about the “Challenges of Creating a Portrait” within the elective week organized by Darrel Toulon. Darrel founded and conceptualized “docu-dance-theatre — a model for participatory performance art, trauma transformation and societal change“. It’s a platform to engage with childhood rape victims.
Darrel Toulon: “I realized that although there are a lot of books, films, features and other publications directly focused on the women who suffered, there was almost nothing concerning the children born to these women, and who survived infancy. The literature which I found was coloured predominantly by feminism, and humanitarianism concerns for the violated women – the existence of babies conceived through rape given little or no attention – violating in turn their rights as human beings“
I participated with a lecture about the dynamics involved in creating the film portrait of Linda Sharrock and Mario Rechtern (2019); how to connect to strangers, trust your intuition, and how to navigate the challenges of inherent portrait transgressions. The lecture happened on June 2nd, 2022
I was asked to talk about art and life, with Emily Tolman. The conversation has been published on Spotify and YouTube.
From the show notes: “Meet Christian Bazant-Hegemark, a painter, game developer, lecturer and more. On this episode of TIP, we talk about some of the flaws of art school. What it teaches us and how that differs from what we actually need to be taught in order to navigate the art world. We talk about schedules, being your own manager, networking and much more. Stick till the end to get some TIPs for artists!“
An excerpt from around 29:00: “I’m not sure whether I can think of a ‘biggest’ frustration (about the art market) right away — but I think maybe one challenge is that .. people start making art for very idealistic or maybe also egoistic reasons. It’s about expressing yourself, learning a complex language or craft; I don’t think that many people start making art because they want to make money.
So then you develop your competencies and you get better at what you do — and it often feels very linear: you get better you get better. And you also understand more about art history, because you also dive into it, you want to understand the system that you are in; and then you understand that what you do cannot so easily be a linear story, because others pursue entirely different stories or aesthetics or contexts.
And so already this shows each of us who make art, that this can be a very complex and long journey. And none of this is related to economic aspects. It’s really just this very beautiful, or maybe very overwhelming, approach to living a life.
And then, all of a sudden, this doesn’t work. Because of course you need some means to live a life, economically. I don’t know why the ideal very often is to make art full time, because that would mean.. already from the word, it sounds like a full time job; but of course in a full time employment situation you automatically get money — the only thing you need to do is to show up, and not mess things up. And with art, you can show up, and make amazing work, and you don’t get a single Euro or Dollar or anything. What does this mean?“
Check out .lab on Instagram
“Kunst und Schnittlauch” is a weekly happening at Kunsthandel Giese und Schweiger (Vienna). Apart from bread with chive, you get various cocktails plus a live conversation about the week’s art happenings — usually between Alexander Giese and Christof Habres.
Now on May 27th, I’ll take Christof’s seat, and talk with Alexander about NFTs, his upcoming public conversation with Johann König at the ORF Radiokulturhaus, etc.
Join us between 3-8pm — it’s free, with food and drinks! Our conversation happens at 4pm, and is streamed via Instagram live here.
The show focuses concepts of reality, and how artists deal with it, and shift it — within drawing painting, sculpture and photography; between abstraction and figuration, reality and virtuality, displacement and fiction, etc.
- Opening: Saturday, May 14th, 2022 (3pm)
- Address: Liebenauer Hauptstraße 322, 8041 Graz
- The show can be seen until June 18th, 2022.
- When: The fair happens from April 23rd to May 1st, each day from 11am-6pm.
Opening (only for VIP guests) is on April 22nd, 6-9pm
- Where: SCHLOSS LAXENBURG, Schossplatz 1, A-2361 Laxenburg
- Reach out if you need tickets!
I was asked to participate and co-moderate Andrea K. Schlehwein‘s “Hybrid Formats”, the 9th edition of “POSITIONEN 022 | Discourse + Dialogue in Contemporary Dance”, happening at Art Space Stift Millstatt (Austria) on April 1-3, 2022.
The event is in itself a hybrid form, combining lectures, dialog platforms and a group exhibition — which also includes my work.
For the symposion..
- I will give a 20min introductory lecture about (“Speculations About Hybridity“) on April 1st (5:40pm), and
- a one hour lecture (“Depicting Others: About Inherent Transgressions and Dynamics of Agency and Appropriation) on April 2nd (4:30pm).
- I’ll also moderate several of the conversations happening on that weekend.
Join us there for deep dialogs and good company!
You can currently see my works at Galerie Heimo Bachlechner (Graz, Austria), next to works by Günter Brus, Mario Dalpra, Wolfgang Grinschgl, Markus Hofer, Richard Kaplenig, Martin Kippenberger, Ronald Kodritsch, Sissa Micheli, Hermann Nitsch, Thomas Riess, Carolee Schneemann, Monika Supé, TOMAK and Andreas Werner.
This is a public event which you can attend free of charge, happening at Die Angewandte/Wien on March 2nd, 2022 (7pm) at Vordere Zollamtsstrasse 7.
From the description:
Game Cultures use various structures that can be precious within the fields of art and sciences: transparency, knowledge exchange, mental health discussions, collaborative digital work environments, a positive attitude towards networking and more.
The artist and veteran game designer Christian Bazant-Hegemark offers a comparative analysis about potential lessons from the gaming field, where he worked as programmer on various AAA titles (GTA3, Vice City, Max Payne, Manhunt etc). But then his focus shifted to the real AAA of Agency and All fine Arts.
Bazant-Hegemark studied Fine Arts at the Academy of Fine Arts Vienna, did a PhD on “Painting and Digital Technologies”, works in drawing, painting and code. Community Building projects with the aim to make art world dynamics transparent and curatorial practice in over thirty exhibitions, the transmedial art space mo.ë., etc., will form the backdrop of this discourse, led by the head of Experimental Game Cultures, Margarete Jahrmann.
Before his fine art studies, Christian Bazant-Hegemark used to program video games for several years. Having experience in two industries enables him to offer comparative speculations: how could knowledge transfer benefit artists?
A conversation about the limits of art school education, about everyday realities of being an artist, and about the unique potential of continuously refining an individualized way of living.
Veronika Dirnhofer, Elke Krasny and Ruby Sircar conceptualized and organized a workshop series about the topic of “drawing is political”. within this series, I’ll host a workshop on November 20th, 2021 (11am-1pm) at the Academy of Fine Arts, Vienna.
I devised over twenty individual, pair and group exercices to challenge specific topics inherent to representational art:
- how to rethink surface appearance,
- how to rethink craft and mastery,
- how to rethink retinal visuality,
- how to rehink transgression through representation
I was invited by Jeanne Wolff-Bernstein to hold a lecture about art and identity; the lecture will happen at the Viennese Psychoanalytic Society (“Wiener Psychoanalytische Vereinigung”), the world*s oldest psychoanalytic society — the one founded by Sigmund Freund, with prominent members being Alfred Adler, Wilhelm Reich, Carl Jung etc.
I’ll talk about depicting individuals that “arent’t us”: about the transgressions this inherently includes, about trying to paint what we cannot understand. About the self-portrait aspect that’s part of painting anyone else.
The lecture happens on September 22nd 2021, 8:15pm at Wiener Psychoanalytische Vereinigung, Salzgries 16/3 (1010 Wien). Here’s the link to the event.
I was invited to be an artist-in-residence at the unique MillStArt exhibition and residency program. Part of this is a public artist talk, which happens on September 10th (Friday) at 8pm. The talk is led Tanja Prušnik, and features curator Günther Oberhollenzer and me, focussing on “Community and Isolation in Contemporary Art”. Drop by!
Christine: thanks for noticing and taking interest in my work! <3
Everyone else: check out Christines painting universe, it’s mesmerizing!
Around twenty of my works are part of the huge “Art Is” exhibition, which marks the 20th anniversary of Kunst Meran.
The exhibtion happens from July 17th to October, 2021
Claudia Barcheri, Christian Bazant-Hegemark, Hannes Egger, Barbara Gamper, Vanessa Hanni, Maria CM Hilber, Emilian Hinteregger, Erika Hock, Zora Kreuzer, Oliver Laric, Roberta Lima, Rosmarie Lukasser, Selene Magnolia, Eva Mair, Simone Salvatore Melis, Ludovic Nkoth, Bernd Oppl, Quayola, Rita Slodičk, Ludwig Thalheimer, Maria Walcher, Letizia Werth
Curators: Valerio Dehò, Luigi Fassi, Sabine Gamper, Andreas Kofler, Günther Oberhollenzer, Magdalene Schmidt, Anne Schloen, Susanne Waiz
“Kunst Meran – a private association for the arts, founded 25 years ago and active as a municipal arthouse under the Meran arcades for 20 years now – has, for this anniversary, invited eight curators to examine the role of art in the present day. These curators have worked with Kunst Meran over the past 25 years, and all have now enthusiastically signed up to the concept of a chorale exhibition for the anniversary.”
Here’s curator Günther Oberhollenzer discussing the exhibited works:
In 2020 I started JOMO – Joy of Missing Out together with Julia Bugram and Paula Marschalek. We do monthly public conversation with experts of the fine arts field, with a focus on topics that aren’t often discussed: why coaching can help artists, how to set up an art fair, how to establish a life long art practice, etc.
This summer I host two free, open-space drawing workshops, sponsored by “Kultursommer Wien /Alsergrund“.
After the first of these events already happened, I want to show you this photo which makes me super happy.
- On the top you see a basic line tracing of a person;
- then below, the feet, shows the same person tracing in a different way, with the two drawings having been made only an hour apart of each other.
What a difference! Wow.
My advice is usually the same, and very basic:
- to trace more consciously,
- to disregard “seeing objects” in favor of “naming contour/line qualities”,
- to draw larger (most often the opposite isn’t required)
- to be more conscious about pencil width vs the drawing’s size
In a 90 minute/2h course where you get to see attendees only once, my main goal is to bring across the joy and meditative benefits/potentials of drawing. The process, not the result.
If you want to join in: this happens on more on July 7th (4pm) at Arne-Karlsson-Park in Vienna!
You don’t need to register, and it’s free!
Three works of my “Waiting” series (2019) were included in a huge member exhibition at Künstlerhaus Wien, Austria’s oldest member-run “Kunstverein”. The exhibition is curated by Günther Oberhollenzer and Larissa Agel: here’s detailled information.
The exhibition happens from May 1st to August 29th, 2021.
Katharina Acht, Anke Armandi, Stella Bach, Nora Bachel, Christian Bazant-Hegemark, Isabel Belherdis, Fritz Bergler, Barbara Bernsteiner, Martin Bruch, Pablo Chiereghin, Linda Christanell, Alessio Coloni, Asta Cink, Rudi Cotroneo, Peter Dworak, Gernot Fischer-Kondratovitch, Alfred Graf, Robert Hammerstiel, Maria Hanl, Matthias Klos, Nikolaus Korab, Matthias Lautner, Barbara Luisi, Sissa Micheli, Margot Pilz, Michaela Putz, Reiner Riedler, Thomas Riess, Rosa Roedelius, Stylianos Schicho, Michaela Schwarz-Weismann, Marielis Seyler, Evelin Stermitz, Kurt Spitaler, Egon Straszer, Walter Strobl, Judith Wagner, Elisabeth Wedenig, Josef Weichenberger, Heliane Wiesauer-Reiterer, Laurent Ziegler, Greta Znojemsky
Wie kann sich eine Kunstausstellung einem so einschneidenden Ereignis wie der Corona-Pandemie annähern? Wie wird in der Kunst darüber reflektiert, darauf reagiert? Jenseits des tagespolitischen Geschehens versucht (K)EIN MENSCH IST EINE INSEL grundsätzliche Fragestellungen des menschlichen Zusammenlebens in den Mittelpunkt zu stellen, die durch Corona verstärkt in den Fokus rücken oder auch neu verhandelt werden: die Rolle der Gesellschaft und des einzelnen Individuums, der soziale Rückzug und die Selbstreflexion, die Einsamkeit und Vereinsamung, das sich Verhüllen und Maskieren… all das sind Themen, die Künstler*innen immer wieder reflektiert und in Werken behandelt haben. In Zeiten von „Social“ bzw. „Physical Distancing“ haben diese an Aktualität gewonnen.
Die Ausstellung erzählt von Gemeinschaft und Isolation in der zeitgenössischen Kunst und zeigt Arbeiten von Künstler*innen, deren Entstehung bisweilen Jahre zurückliegt, deren Motive und Sujets aber gegenwärtiger denn je sind. Es überrascht, wie stark die Eindrücke und Erlebnisse des letzten Jahres unseren Blick konditionieren und die Kunstwerke eine neue Beachtung erlangen, eine neue Lesart erfahren. Dem gegenüber stehen aktuelle Arbeiten, die unter dem Eindruck der letzten Monate entstanden sind.
(K)EIN MENSCH IST EINE INSEL ist die erste große Mitgliederausstellung seit den 1990er Jahren. Sie veranschaulicht das kreative Potenzial aber auch die Diversität und Pluralität der Künstler*innen des Künstlerhausvereins.